About Me
Who is Richard Panting and why having been a player makes me uniquely placed to craft beautiful instruments for you?
I’m a former professional violinist who has had the privilege of playing in some fantastic orchestras (London Symphony, London Philharmonia, Northern Sinfonia, Helsingborg Symphony Orchestra amongst others). For as long as I’ve been a player, I’ve also had a love of and fascination with violin, and all stringed instruments: their design, their unique features, the beautiful and unique looks and sounds of different makers and models.
About 25 years ago I changed my focus from full time playing to full time making of bowed string instruments (mainly violins and violas) and in the last few years I’ve added making Spanish Classical guitars to my repertoire as well. I love the variety of skills needed to make these different kinds of instruments, all of which complement each other.
I’ve made models based on some of the most revered master makers of old including Stradivarius, Guadanini and my special love, Bartolemeo Guarneri “del Gesu” whose instruments have a warmth and projection that I particularly love. I’ve sometimes incorporated some new design features in my violas which you can see in the photos.
I enjoy looking after the instruments I have made, and seeing and hearing their appearance and sound develop over the years.
Alongside making new instruments, a significant part of my work is in restoring older instruments that need repair and sometimes more substantial renovation. I regularly look after instruments for professional players in orchestras in New Zealand and Australia.
I’m currently based in Auckland New Zealand, and regularly travel to Europe and Australia. My instruments can be found in orchestras in New Zealand, Australia and Europe.
Since 2007 I have been the official luthier for the Michael Hill International Violin Competition
In 2010 I was featured in The Shed Magazine which ran a detailed article of my violin making process. Both part one and part two can be found linked below.
The Shed Magazine
When I decided to make a violin to take to a conference in America, I chose a beautiful example by Guarneri “del Gesu”—the “King” violin made in 1735—as a model.
Given the significance of the violins by the great makers, there is a respected tradition of making copies or instruments modelled on their work. I was quite happy for The Shed magazine to follow its progress but as there are books written in great detail about violin-making, this magazine article can only be a summary of what I did and some of the problems I encountered.
Making a violin is a complex job involving around 40 pieces of wood of various types and sizes and plenty of patient, skilled woodworking. In Part One we chose the best maple for the back and spruce for the belly, shaped these plates and created the rib structure. Now it’s time to finish the construction.